Tag Archives: zombies

September 16, 2018 – Martha Wreaks Havoc, Dwayne, a Little Talking, a Bit of 90, a Beauty’s Secret & Monday Feels


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


Fear the Walking Dead

A dude is trapped in a car; he’s impaled on something. The driver tells him just stay with her; someone will stop and help. The driver is Crazy Lady. I guess this is her backstory. She yells for a car to stop, but they just keep moving. As does the next one. A third goes around her.  Crazy Lady cries, and sits next to the car. A zombie toddles out of the woods. She starts telling him that her husband needs help, and realizes this guy is not right. She slams him a rake. Don’t ask me where she got that from.

Back in the car, she tells her husband someone will help them; someone will come. He wants her to go, but she won’t. She holds his hand and kisses it. It’s nighttime, and she cries on the hood of the car. The next morning, she’s still saying, someone will come. We hear zombie noises, but this time it’s her husband from inside the car. She wraps her hand, and picks up a piece of broken glass. All is quiet.

Crazy Lady buries her husband in a field nearby, digging the grave with her hands, and crying. When it’s done, she builds a fire, talks to herself, and slowly goes crazy. She sleeps on the grave.

A truck stops by the broken down car. A woman takes a box out of the back, and places it at the nearest sign. She sees Crazy Lady, and asks if she needs something. They make a drop about every ten miles. Crazy Lady looks at what she’s written on the box, and tells her, it’s farther not further. Further denotes degree; farther denotes distance. She was an English teacher, and drives people crazy, but words matter. It’s all we leave behind. The woman introduces herself as Stevie, and Crazy Lady says she’s Martha. Stevie thanks Martha for helping her. Martha says she doesn’t help, then kills Stevie, saying neither does she.

With Stevie at the end of a pole, Martha nails the next delivery person, and with that guy, the next, and so on. She tells the last guy, when you help people, they never learn to take care of themselves. She says one of them told her the man who started this calls himself Polar Bear. The guy won’t talk, and she lets the latest pole zombie loose on him. She gets on the radio in the truck, and she asks if Polar Bear copies. A voice says he thinks he hitched ride accidentally in the back of a semi. I think it’s Morgan. She half-smiles.

In the back of Sarah’s truck, Morgan and June stir. In the cab, Sarah’s belt is jammed. Jim gets her free, just as Martha comes back around in Al’s tank. The tank stops. Morgan looks through a bullet hole in the door. He wonders what she’s waiting for, and Al says she probably used up all her ammo. Sarah’s been hit, and Wen tells Jim to keep the pressure on; he’s got this. Morgan says they can’t stay, and helps Luci up. Wen says, sh*t in a sandbox, seeing there’s a gas leak.

They get out of the truck. Al runs to her tank, and opens the back. Martha comes out with her Quinn zombie kabob. Morgan tells her not to do this, and Martha says she didn’t; he did. He says, then make him pay. She tells him that he has potential. He says she’s stuck; he was too. Martha says she is, and Wen shoots her in the shoulder. Quinn is in the process of trying to eat June’s face, and Morgan stabs him in the head. Wen tells Martha not to move; he’s going to lay her down with the next one. A fire starts in the engine of the truck, and Jim tells Sarah, that’s not good. She and Jim ditch the truck, and it blows up. Morgan says, the boxes, but it’s too late. The whole thing goes up in flames.

Jim says his yeast cake was in there. A small crowd of zombies has arrived, and Luci says they don’t have enough ammo. Martha takes off in the tank.

Alicia and Charlie arrive at the remains of the truck. Charlie wonders where they are, and Alicia tells her, stay in the car. Alicia calls Morgan’s name. Charlie approaches Alicia, and says, the woman on the walkie. Why would she do this? Alicia borderline cries.

They look at a map. Charlie says, they could still be out there. Alicia says, they could be anywhere. She’s thinking east. They get back in the car.

Sarah says, sh*t in a sandbox, which is apparently the phrase of the night. A load of zombies is coming up the road behind them. Morgan says it’s going to keep building. Jim is pulling Wen, and Al has a ruptured ear drum. Jim says at least she’s mobile. Wen wants to know why Jim got through it without a scratch, and Jim says he’s good. Sarah says, at ducking, and Jim says, no; at living. We find out Sarah was a Marine. June wants to check everyone out, but Jim says they can’t slow down. Morgan sees shelter, and says maybe they can. Sarah tells him, good eye, Momo. Jim wonders why wait them out when they can keep moving away from things that want to eat them. Morgan says Jim thinks they can get ahead of them, but they won’t. Jim says he’ll take his chances. Sarah says he wouldn’t be there if Momo hadn’t saved him. Jim owes him. Jim asks, for what? She got shot because Morgan brought them back and wouldn’t listen. The woman wants him, not them. She tells him to go, and tosses his bag at him. Jim asks if Morgan really thinks they’ll be safe. He does. Jim looks at the zombies coming up the road, and joins the others. I wonder why he didn’t pick up the bag.

They hole up inside a hospital. Zombies scrabble at the windows. June says she stitched up Wen, Al has a mild concussion, and Jim is Jim. Morgan says they can’t stay for long, and June says they got medical supplies, and a chance to catch their breath.

They move deeper into the building. Sarah finds a radio. She says if that woman is still alive, she’d like to light her up like a pinball machine. Wen says he got her pretty good, but June says she shot him. Al gets where he’s coming from. She asks how he got into the chair. Wen explains that when he was ten, a kid kicked a ball into the street. He didn’t see a car coming, and Wen pushed him. The kid got up; Wen didn’t. Al asks if that’s what changed him. He says it made him help people even more. He had to work harder for things. After graduation he went to register for the Marines, but the recruiting officer laughed, and wouldn’t file the application. Al says, bad sh*t happens when you try to help people. Wen says now she’s getting it.

Alicia and Charlie looks for gas in other cars. Charlie thinks they should turn back, but Alicia says they have to keep moving. Alicia tries a truck, and gets nothing. Charlie asks how they could have gotten this far, and Alicia says they’re not looking for them. They’re going to Galveston; that’s where the beach is. Charlie has never been to the beach, so Alicia is taking her. It’s one thing she knows she can do.

Morgan blocks the windows with hospital equipment. Jim tells Morgan that earlier, when he said this was Morgan’s fault… The zombies finally push in the window, and Morgan grabs Jim. They run, and the zombies pour in.

Morgan says they need to get out. Okay, Captain Obvious. Jim says Morgan claimed they’d be safe there. Sarah tells Jim to shut up, but Jim says he got them into this. He had the answer; what now, Sherlock Holmes? They listened to him, now he needs to get them out. Everyone waits, and Morgan finally says they go up.

They bypass the first floor, where zombies clamor at the door window. Morgan says, keep going. The zombies below begin to follow. The next floor’s door window is shatter, and a zombie grabs for them as they go by. Morgan makes noise at the next door, but there’s nothing. He tells them to come in. Zombies clutter the stairwell, and they block the door behind them.

Morgan tells them to make sure the stairwells are secure. Sarah and Al check the floor. Al asks Sarah about the Marines, and Sarah says she quit. She didn’t agree with their code of conduct. Al bangs at a door, and radios Morgan that those stairs can’t be used; they dumped the dead there. Morgan suggests the west stairs, and June tells him the roof has caved in on the landing, and the barricade isn’t holding. Morgan says, the roof; they’ll take the elevators. June says the generators were kept high up because of flooding. Sarah tells Al, let’s stir some beef.

Jim tells Morgan, if they get out alive, they’re driving directly to Virginia. Morgan says he can’t get there soon enough. Two zombies back Morgan against the wall, while another one attacks Jim. Jim calls for Morgan, who’s a little busy, but grabs a pair of surgical scissors and stabs the zombie in the neck. The zombie gets Jim down on the floor, and when he grabs at it, it’s scalp comes off. Yuk, He manages to get ahold of the scissors again, and spikes it in the head. Morgan runs in, and Jim says, it wasn’t so hard. June finds the generators. She says she’ll get them working, and to meet at the elevators. Luci tells her to hurry; they can’t hold on much longer.

Al tells Sarah to leave with her brother. Trust her. Go. Al closes the door.

Luci. Wen, and June dash for the elevator, and Morgan and Jim come around the other way. Sarah tells them, Al has gone solo. The zombies are there, and Morgan says, ready? Sarah pries the elevator door open, and they run in, the door closing just before any zombies get inside. It’s so effing close, my heart is pounding.

They go onto the roof. Morgan says, it’s clear. Sarah radios Al, but gets nothing. Luci says, she’s smart, she’s resourceful, and she’ll find a way up. Jim looks down to the street, and doesn’t think they want to go down there, even if they could. His hand is bleeding, and June asks what happened. He says he put his hand through a window, and she wants to clean it up before it gets infected. He lifts his shirt, and she doesn’t look happy. She says he didn’t get cut by glass. He has a bite. He tells her, do something. She’s sorry, but there’s nothing she can do. He says, no, no, no, no, no, and everyone looks sick. He asks how long it takes, but June doesn’t know. He stands by himself. I’m wondering if he’s going to jump off the roof.

Morgan tells June that Jim asked for his help. He asked Morgan to save him. June says he did, as long as he could. She says, Al will make it back. They made it there; what’s next? Morgan laughs, and says, she’s asking him? She says he got them there, and he says, that’s right; he did. She asks if he can he get them out. He says he can’t, but she says he will.

Alicia tells Charlie that it’s a little farther. Charlie says they’re hundreds of miles from the coast. They should have kept looking. Alicia says it wouldn’t have made a difference, but Charlie says, they need help. Alicia says, they could be dead. They could find them, find them dead, or die tying to find them. She’s trying to take Charlie to Galveston. She though if could get Charlie there, that would be good. Getting her to the beach; she knows that would be good. Alicia needs something to be good. I can identify. Charlie says she does too. She asks if Alicia hears that. It sounds like water.

Alicia says, it’s not on the map. They come out near John’s lagoon. Charlie says, it’s a beach, and walks to the water. Be careful of that crocodile. Charlie picks up John’s hat. She says, look, and they look across the water. Alicia laughs, and says, holy sh*t.

Next time, Martha shoots at Charlie and Alicia, June says they’ll find a way down, and Wen isn’t sure if they’re all right, but they’re still kicking.

🎥 The episode was dedicated to Dwayne Haevischer. He worked in the transportation department of many films, including three of my favorites, Planet Terror, Death Proof and Machete. You can read more about him here:


📣 Tonight’s Talking Dead guests were the mega talented Tonya Pinkins (Martha, FWD), Lou Diamond Phillips (who has been directing FWD this season), and Sinbad (!), who apparently is a super fan. It was a lively discussion, but I mentioned it just to say that Ms. Pinkins cleans up well. She would be unrecognizable as being the Crazy Lady aka Martha. She was just gorgeous.

💍 A Couple of Couples…

A quickie about 90 Day Fiancé: Before the 90 Days (where the delusional meet), since I can’t contain myself. Jesse paid a visit to Darcey in the US, and it was a bickering hell. Remember Fantasy Island? This was just the opposite. It boggles my mind that these two are still together, albeit off again/on again. Their anger is palpable during the interviews they do together. They spent a couple of days in NYC, which neither one of them enjoyed, then stayed at an Airbnb in Connecticut. Darcey’s girls met Jesse in Manhattan, and also spent time at the rental. Jesse insisted on calling Connecticut CT, which is fine if you’re addressing something, but normal people don’t talk like that. Darcey said their chemistry is magnetic, and Jesse said something about a connection, so I can only assume it’s the sex. Or they get some weird S&M satisfaction out of it. These two just do not get along. It was pretty funny when she threw a Louboutin at him though.

The other couple I’d like to touch on is Ricky and Melissa, who is now Ximena. No, she’s not a trans person, but Ricky came to Columbia looking for Melissa’s love, and ended up finding it with second choice, Ximena, when Melissa ghosted him. Ricky is totally out of touch with reality, since Melissa was freezing him out before he even left the States. She did show up for dinner – three hours late – but what he said was having chemistry, was basically a mercy date. Ximena on the other hand, seems to be an open, lovely person, attractive, but not in the bombshell way Melissa is. Ricky’s first mistake, thinking he was in Melissa’s league, and an explanation as to why Ximena was second string. Which led to his second mistake, calling Ximena Melissa in what, no doubt, was an intimate moment. But instead of doing the hard, but noble thing, by explaining things to her – hint: she will see the show anyway – he told her it was a member of the crew. He made a couple of feeble attempts to tell her, all of them ending in him making something else up. I just kept thinking, what an idiot. All the things she’s thinking whenever he says, I have something difficult to tell you, are so much worse than what it is. But since he waited so long, he did make it worse. Tonight, he finally told Ximena that he’d originally come there to meet Melissa. To her credit, Ximena didn’t crack him one across the face. Although she did call him a bullsh*t artist, and said she never wanted to see him again. I do kind of feel sorry for him, since he seems to care for her, but sorrier for her. Then again, it’s hard to feel sorry for people who think they can fall in love in five minutes, especially when they can barely communicate.

👓 Beauty Advice…

For beautiful eyes, look for the good in others; for beautiful lips, speak only words of kindness; and for poise, walk with the knowledge that you are never alone.Audrey Hepburn

☁ It’s Ba-a-ack…







September 14, 2018 – Happy Birthday to Drew, Where’s Z Nation, Talented Neal, Quotes with a Purpose & Weekend


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)



General Hospital

Curtis is having a drink with Drew at the MetroCourt, but has to leave for a meeting. Drew says he’s not in the mood to celebrate. Curtis asks how he found out; was he snooping? Drew says, not snooping. He was hungry, went to the kitchen, and saw the cake, It’s a great cake; three layers. Curtis says a three-layer cake would piss him off too. Drew says he appreciates it, but doesn’t like to be the center of attention. Curtis tells him, suck it up, and let those who love him, love on him. He’s worth it. Curtis says, happy birthday. Have fun and act surprised.

Monica and Kim are on the patio, where Monica is putting last minute touches on the party. She’s sorry Ned and Olivia can’t be there, but glad the rest of them will be. Kim thanks Monica for inviting her and Oscar. Sam arrives.

In the elevator, Maxie tells Peter that she’ll talk to Olivia. She’d talk to Carly, but she’s distracted. She’s surprised Olivia didn’t notice. The elevators are slow during peak hours. They should take that into consideration and add more elevators. The elevator jerks to a stop.

Valentin thanks Curtis for meeting him; he’s eager for an update. Curtis doesn’t want to waste Valentin’s time. If he gets something concrete, he’ll tell him. Valentin says they need to find Nina’s daughter as soon as possible. Curtis says not them, him. Then Valentin can deliver the information to Nina in hopes of saving his marriage.

Nina meets a man named Amit at the MetroCourt. He understands she wants an appraisal. She asks what he can tell her whatever he knows about this, and shows him the necklace. I just have to say it, they couldn’t have found something that looked more expensive? This was bought at Target for sure.

Margaux asks if Jordan found something to identify the body, and Jordan says, not quite, but it will put them on the right trail. Forensics got the remains of a bullet out of a bone. Margaux isn’t sure that will shed light on the body, but it might get them closer to identifying the killer.

Sonny asks Carly how his dad is. Carly says, like him, pretending everything is fine when it’s not. She doesn’t want to have the conversation any more than Sonny, but she loves him, and has to be straight with him. Things are adding up. When Mike took off with Avery; what happened with the alarm; and now Charlie’s. All of them could have ended in a tragedy. She thinks they’re running out of time. They can’t keep it up. She knows that Mike knows, and she thinks Sonny knows too.

Nina asks what he can tell her, and he says there’s no signature marking; at least nothing familiar. Nina asks if it was made to look like it was divided, or is it part of a whole piece. Amit says, it appears to be half of a larger piece; an original heart pendant divided. Nina says she has to find who has the other half.

Valentin tells Curtis, it’s a win-win. Curtis will find Nina’s daughter for her, and be paid handsomely. If it’s too much, he can find someone else do it. Curtis says he’ll do it for Nina, but Valentin had better not hold any of the information against her. He says there’s been a development. He’s been working a new angle, and his forensics accountant’s trace on the transfer worked. There’s no telling what will come of it. It’s twenty years old; it still may end up going nowhere. That’s why Curtis was waiting to tell him. Valentin says he’s anxious to let Nina know. In that soap way of how things work, Nina is suddenly there and says, let me know what?

Jordan says she’ll get an answer from ballistics soon. Margaux says she’s optimistic. Jordan can’t promise anything, but she’s got a good team. They can see if the bullet matches anything used in another crime. Margaux says tell her more about Charlie’s. Jordan says it’s connected loosely to Frank Smith Margaux says maybe they can connect him to the history of the body, and Jordan calls for his file to be pulled.

Sonny asks if Carly really wants to do this right now. She asks if he honestly believes this is working. He says he just has to figure it out; he needs more time. Carly asks, how much? Mike has been with them for months. They keep making arrangements, but things happen; big things. Now Julian is involved. Sonny says Julian isn’t going to say anything. He understands Sonny would do anything to keep his father safe. Carly asks if he really thinks he is.

Monica asks Sam where the kids are. Sam says Danny is at a breakfast, and wonders where Michael is. Monica says he wasn’t feeling it, and Sam tells her Scout is upstairs napping. Monica leaves to peek in. Kim says she feels bad for what Michael is going through. Sam says they just need to be there for him and listen. It’s unimaginable. Kim says it sounds like she’s speaking from experience, and Sam says she is. She tells her about Lila being stillborn, and says a foolish woman said she was lucky to never have known her. It would have been worse if she’d started a relationship. Kim says, that’s horrible. Sam says the words came back in her head when Danny was diagnosed with leukemia. She tells Kim that he’s fine now, with no traces of the disease; miracles happen. Sam says, she’s sorry. She didn’t mean to… Kims says, didn’t mean to what? and Sam says, nothing. Kim says she knows, doesn’t she? Sam says Drew told her. She’s so sorry. Kim does not look happy.

Sonny says everything he does is to protect his father, and Carly says he’s gone above and beyond, but she doesn’t think it’s working. Sonny says when he makes a mistake, he tries to fix it. Carly says he can’t fix what’s wrong with Mike. She loves him too, and wants what’s best for him. Sonny needs to decide while Mike still can. Sonny tells her Mike has already said he doesn’t want to be a burden, and Carly says he’s been clear about that. Sonny is wonderful with his dad, but he’s missing something important. He needs to take Mike at his word, and let him go. Mike hears the conversation.

Sam tells Kim that she could tell something was wrong. Drew didn’t want to, but finally told her Oscar’s prognosis. Kim says it’s none of her business. Sam says Drew was a wreck; he needed to talk to someone, and he trusts her. Kim can too. She’s sorry. They’re a family; their kids are siblings. If they need anything, Sam is there for her. Kim says they’re fine. Monica runs in, saying Drew is early.

Drew comes toward the patio. Monica, Sam, and Kim grab balloons and yell, surprise! He fake smiles.

On the phone, Maxie tells Olivia, tell the elevator guys to hurry. She has a meeting, and they’re stuck between eight and nine. She tells Peter the elevator company is on the way; there’s no need to freak out. She isn’t. He starts hyperventilating. He hits some buttons, and she says they shut the elevator down. They need to work on it for an hour – or less.

Nina tells Valentin, keeping secrets as usual. She doesn’t care. She needs to talk to Curtis about a pressing matter. Curtis leaves with Nina.

Nina describes a man in the bar to Curtis, and says he’s following her. (He bumped into her earlier.) She asks if Curtis thinks she’s paranoid, and he says no, judging from what appears to be a firearm in his jacket. He tells Nina, stay cool; he’s got it. He throws the guy against the bar, and the guy says he has a permit to conceal. Nina says she calls it being stalked. She’s calling the police. Curtis looks at his ID, and tells her, hold on. He’s a bodyguard. Nina asks, for who? and the guy says her. Nina says she didn’t hire a bodyguard, and Valentin says he did.

Maxie asks Peter if he’s okay; he seems a little not okay. Does he have a thing about being confined? Usually he’s so in control. He says this is new for him, and continues hyperventilating. Maxie wonders if him being tied to a bed for weeks has something to do with it, and he says, could be. He unbuttons hi shirt, saying he doesn’t feel like he can breathe. Maxie tells him the air is fine; it’s not hermetically sealed. She suggests they sit and try breathing; in through the nose, out through the mouth. She says the last time they were breathing together, she was on the side of the road in labor. This should be a piece of cake. He says it’s embarrassing, and she begins a breathing exercise.

Curtis tells the guy, his bad, and Valentin tells him to go. Curtis tells the patrons, everything is fine; pardon the interruption. His phone rings, and he steps away to take the call. Nina asks why Valentin hired someone to spy on her. He says he’s protecting her. It’s been brought to his attention that she has an enemy. Nina says, you can’t run a fashion magazine without occasionally stepping on Erica Kane’s toes. Valentin tells her Cassandra is on the loose.

Monica tells Drew to trust her. He might think a family birthday is a big ordeal, but he’s going to be happy looking back on the memories. Kim leaves to check on Oscar, and Sam says Scout should just be finishing her nap, so they should go. I wonder where everyone else is. Drew asks why Sam is leaving, and she says she was just planning to drop by; she didn’t think he’d want her to stay. He asks her to stick around.

Inside the Quartermaine’s, Kim leaves Oscar a message, saying she doesn’t like going to voicemail. He’s supposed to have his phone on at all times. His father showed up early, and they had to start without him. She tells him to text her, and hurry up. Drew walks in, and she asks if he was really surprised. He says he picked up on a clue or two, but didn’t want to put a damper on things. She asks if they can meet later and talk about Oscar. Nothing has changed, but they need to figure out how to communicate better. She had no idea he was going to tell Sam.

Oscar strolls on to the patio. He asks Monica if Drew was surprised. She says, yes, but it was fake. Sam asks about his hand, and he says he bumped into something. She says it looks like he was in a fight.

Margaux asks about Luke and Laura, and Jordan explains that Luke was Frank Smith’s guy. He ran a club, and did money laundering. He and Laura eventually turned Frank in for racketeering. Margaux would like to talk to them, but Jordan says they’re both out of town. She might have more success with Laura. She says she can speak with Laura’s husband; he testified for Carly. Margaux says that Sonny is on the list of Frank Smith’s known associates. Wouldn’t they have known this already? Oh, never mind.

Sonny says he’s not abandoning his father, but Carly says he’ll be honoring his father’s wishes, and taking a step to him from himself. He’s terrified he’ll hurt someone he loves. He can’t say it straight out. Mike doesn’t want to abandon Sonny. Sonny says he doesn’t know how to send Mike out of sight; it’s painful. There are a lot of options; they can come up with a plan. Carly says it’s not about him, it’s about Mike, and what he needs and wants. Sonny says what if Mike doesn’t know? Mike comes out, and says he’s wondering that right now. He has a full deck and a sound mind. Carly is right. He has to go. It’s what he wants, and it’s time.

Sonny asks how long he’s been there, and Mike says, long enough. Carly says they didn’t mean for him to hear, but he says, everything needed to be said. It’s not like it isn’t true. Sonny says, nothing is settled, but Mike says he and Carly are in agreement. He gave it his best shot; it’s time to rethink things. Sonny says he’s open to other arrangements. They could get live-in help, make him more secure. Staying there is better. He has family who love him. Mike isn’t so sure that’s a selling point. He says right now, every day, he’s losing himself, bit by bit. A little more; a little faster. Avery told Carly that her other name is Courtney, because that’s what he calls her sometimes. He wonders about the day he doesn’t recognize her. He can’t bear to think about it, and doesn’t want to cause more worry in Sonny’s own home. Carly says it’s his home too; it always will be. Sonny says he’ll always do everything keep Mike. Mike asks, at what point does a home stop being a home, and become a prison?

Kim tells Drew, the more people who know, the better the chance of Oscar finding out from the wrong person or the wrong way. Drew says that’s easily remedied by telling him the truth. She says he needs to pull it together; it’s all over his face. Sam interrupts, saying Oscar is there; they might want to come out. Don’t worry, but it looks like he’s been in a fight.

Nina says Valentin is making this up, and he tells her, ask Anna. She wanted to tell Nina, but he asked her to let him do it. Nina says, Cassandra is in custody, and he says, someone broke her out. She says, Cassandra is in a coma, and Valentin says, now she’s not. Thanks to Finn. The same people who held him and Anna in captivity, forced him to treat her. Nina wonders who would help Cassandra, and Valentin says he’d like to know himself. She says, the WSB must be on it, and he says, they lost her in the first place. Nina isn’t happy that the bodyguard reports to Valentin, so he can monitor her every move. Valentin suggests she move back to Windemere. She can have her own wing; he won’t bother her. I’m in. He needs to know she’s safe. Nina says she feels safer on the mainland. If she needs a bodyguard, she’ll hire one herself. Here he is now. Curtis returns.

Peter asks Maxie, how much longer, and she says, they’re working on it right now. She suggests they play game. Would You Rather. She asks if he’d rather lose all his money and valuables, or all his photos. He says, it’s a draw. He’s already lost all his money, and he lived; and he has no pictures. She asks why, and he says he’d need to have someone to be in the pictures. She asks if he’d rather lose short or long term memory, and he says short. Maxie says she’d be the opposite, and he says if he forgot the bad things he’s done, he couldn’t make up for them.

Curtis joins Nina and Valentin. He asks what Cassandra has against Valentin, and Valentin says they worked together long ago. She’s obsessed with him. She’s violent, and has it out for Nina. Curtis says he can hook her up with some protection, but Nina says she can take care of herself. Cassandra had better steer clear of her, or she’ll heed protection.

Peter says, there are some things in life you can’t atone for, and Maxie says, people throw that word around easily. They say it like it’s difficult to accomplish. She’s not aiming that at him, but her own experience. She’s made mistakes and hurt people. He says, way back in her horrible days? and she says it wasn’t that long ago. He says she’s come a long way. A lot of people hold her in high regard. Maybe there’s hope for him yet. She asks if he’d rather wear his shirts too big or too small, and he says, too big. She says, and hide his muscles? If you’ve got them, flaunt them. Oh brother. The elevator starts moving. Peter thanks her, and when it stops, the doors open and they fall out. Nina is like, wha-a-at?

Oscar tells Kim and Drew that they need to chill. They’re making way too much of this. Kim says he was in a fight, and Oscar says, barely. Monica says it’s not bad, and Oscar points out she does open heart surgery. Someone said something he didn’t like, and it was over in seconds. If Drew hadn’t taught him how to throw a punch, he would have gotten his ass kicked. Drew says he taught him how to defend himself, not throw a punch at whoever pisses him off. Oscar says, it’s not like anyone died. Kim says he just got out of the hospital. Monica is surprised.

Jordan says Sonny worked for Frank Smith; he ran Franks strip club, but there’s no connection. Sonny wasn’t in Port Charles at the time the body was buried. Margaux says, then their best lead is to learn who knew the pub owner and locate them. She knows where to start.

Sonny tells Mike it’s not a prison. Mike says Sonny has to listen, now, while he’s having a good moment. It’s no fun see people watching him from the edge of their seats or hovering, being totally confused about who he is. This is his reality, and he can’t stand them seeing him like this. Sonny says it’s just his pride talking, and Mike says, so what if it is? Isn’t he allowed to have some pride and dignity? Sonny asks if he thinks he’d be better off with strangers. Mike asks what happens the day he wakes up and they’re strangers? Will he understand then? Sonny says he doesn’t know how to do this. Mike says he left Sonny before, to his everlasting regret. He’d do anything if he didn’t have to leave him again, but it will happen one way or another. This way, they leave with good feelings instead of Mike just disappearing before his eyes. They’re both crying, and making me cry. Not only is Mike killing me, I’ll be very sad to see Max Gail go.

Nina doesn’t want to know. Maxie says she has the wrong idea, and follows her down the hall.

Curtis asks Valentin how much of the Cassandra situation he left out, and Valentin says he’ll worry about Cassandra. He wants Curtis to focus on Nina’s daughter. Curtis says the phone call was from his forensic accountant. The trace went through. Officially, it’s a single mother with a daughter the same age as Nina’s would be today. Well that sure narrows it down.

Monica says, you don’t go to the hospital for a headache, but Oscar says he didn’t eat, passes out, and Jason overreacted. Kim says, he acted with an abundance of caution, and she’s glad he did. Oscar suggests they cut the cake, and Monica asks him to do it. He says he’s bad at it, and doesn’t like being the center of attention (like his dad). Monica says she’ll keep that in mind when it’s his birthday – and throw an even bigger party. Do five people, including the guest, even qualify as a party? I ask again, where is everyone?

Sonny tells Mike there are places that have all-day activities, and you come home at night. He can ease into it, and they can ease into it. Mike says it sounds like a plan, but he’d still like to check out the residential facilities while he still can. He wants to have a say before he can’t. He and Sonny shake on it.

The house phone rings, and someone is at the door. Sonny tells Max to have them go away, but Carly says it’s too late. Margaux and Jordan walk in. They have questions related to the body found under Charlie’s. Sonny tells them that he’s said everything he has to say. Margaux says they’re not there to speak to him. They’re here to talk to his father.

On Monday, Oscar tells Josslyn about the fight, Robin says a hideous injustice has been done, and Cameron wants to know why Elizabeth is so interested in Oscar.

👹 The Sy – we can’t spell – Fy channel has been showing mini marathons of Z Nation on Friday mornings. Today they had one of my favorite episodes, Day One, where we see the backstories of the major characters; where they were when the apocalypse broke out. My main question was, how did Doc know what was going on so quickly? He just grabbed a bag of drugs and ran. It also unearthed (pun intended) a great quote from Addy’s story:

Zombie night? ** No. That’s next Thursday. – one hockey player to another when zombies appear at a game.

I’m hoping this is paving the way for the new season. And when will that be? Who knows? This was the latest I could find…


🍗 And For the Ravenous Fan…

Neal McDonough will be in both the new season of Yellowstone and Sonic the Hedgehog.


📚 Quotes of the Week

Five for the literary, and three for the fun.

Fear is only your enemy if you allow it to be. – from An Ember in the Ashes by Sabaa Tahir

I don’t believe in fashion. I believe in costume. Life is too short to be the same person every day. – from Lola and the Boy Next Door by Stephanie Perkins

We are all anthologies. We are each thousands of pages long, filled with fairy tales and poetry, mysteries and tragedy, forgotten stories in the back no one will ever read. – from Neverworld Wake by Marisha Pessl

When in doubt, go to the library. – from Harry Potter and the Chamber of Secrets by J. K. Rowling

Libraries were full of ideas – perhaps the most dangerous and powerful of all weapons. – from Throne of Glass by Sarah J. Maas

I just ate a duck fetus out of the shell.Tarik, 90 Day Fiancé: Before the 90 Days

The only thing that separates us from animals is out ability to accessorize. – Claire (Shirley Maclaine), Steel Magnolias

Damn. There’s all kinds of gravity in here.GG, Shahs of Sunset

🏇 Until Next Time…









September 9, 2018 – To Help or Not to Help, Reality Rebirths, Lotsa Lala, Some Wives, a Break-Up & Monday


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


Fear the Walking Dead

June, Morgan, and Al look for Quinn. June asks if Quinn copies, but gets dead air. Morgan thinks they should go back, but June wants to keep looking. Al agrees. At the truck, Sarah radios that they got a goose egg. Morgan says they’re going to keep looking, Jim asks Sarah why they kidnapped him, and she says they just borrowed him. They need beer. Jim says she might be capable of making swill after a year, but she wants the best beer; and that is in his mind, experience, fingers, and soul.

We hear zombie noises, and Sarah goes to check it out. Jim wants a gun, but Wen says, what about a rock? Jim sees a zombie coming toward Wen from behind, and Wen checks it out in his rearview mirror. Jim calls for Sarah, but Wen lets the zombie come closer, and impales it one his James Bond wheelchair gadgets. As it thrashes around on some spikes, Wen asks if Jim wants his first kill; he’ll get a point. Too late. Sarah pikes it in the head, and says, whoever gets the kill wins the bill. Sarah tells Momo to get his ass back there.

Al examines a dead Purvis. Sarah wonders what kind of sicko sh*tto does that? June radios Quinn. Jim wants to leave now, and Sarah thinks he has a has a point. June asks if Quinn copies, and gets zombie noises in reply.

Crazy Lady tells her that’s Quinn, and June asks, who is this? Crazy Lady says she let him become what he was meant to be, and Quinn makes more noises into the radio. She says, he’s not weak anymore. Morgan knows the voice, and says she was by one of the boxes. She asks if that’s Morgan, and he wonders how she knows his name. She says she knows a lot about him. Al says bitch has her van, and isn’t giving it back. Morgan asks what she wants, and Crazy Lady says she shouldn’t be leaving things by the side of the road. She tells Morgan that he shouldn’t be doing what he’s doing. Leaving the boxes makes people weak, and he’s not weak. At least he didn’t used to be. He asks what she wants again. What she wants is for him to stop trying to help people. If he becomes strong again, she won’t have to make him that way. It’s better for both of them. She knows who he really is, and what he’s capable of. She says, it’s still there.

Victor wakes up, and rifles through a pantry. He reads Moby Dick for a moment, and goes outside. He surveys the property with binoculars. He’s in a ranger station surrounded by what looks like a lagoon. We see the tops of street signs sticking out of the water, so it must have been flooded during the hurricane.

John chops wood to make a raft. He takes a wrapped piece of candy from his pocket and kisses it. A zombie comes out of the water. John says he hates the wet ones, and whacks it with an ax. Victor says his morning reading was interrupted. John tells him that he saw a lone crane. He never saw a crane fly solo; the world has turned upside down. He says he could use another pair of hands, but Victor says he’s lost his taste for boating. He tells John these aren’t friendly waters, but John says he’s not going for swim. He’s going to get as far as he can. He says there’s room for two, but Victor passes. He’s got apple rations; it’s practically paradise, and he’s not going on another fool’s errand. He’s learned, if you have God’s wine cellar, keep it. He’s not getting in or on whatever that is. He thinks it’s time to stop being foolish. John says when he finds June and Charlie, he’ll come back on something less handmade. Victor could run out of food soon. Victor hopes when the raft falls apart, it’s toward shore.

Luci finds the library where Charlie got the book she left. She goes inside, and calls for Charlie. She looks around outside and sees a zombie scrabbling at a car. She pikes it in the head. It’s not Charlie inside, but an older dude whose bottom half is wedged under the dashboard and bleeding out. She tells him that she can help, and asks how long he’s been there. He tells her since the storm hit, an she says she’ll get him out of there. He introduces himself as Clayton, and wonders why she’d want to help a stranger.

John asks if Victor is sure he doesn’t want to come. Of this, Victor is most certain, but he’ll watch. John gets on the raft – which is a few logs tied together – and it sinks a little. A crocodile swims toward John, who shoots at it, and jumps off the raft/ Victor says they’ve had the fear taken out of them, but you’d think she’d be full. John says it looks like they’re still roomies. Victor laughs. I love Victor.

Morgan buries Purvis. Jim asks what difference it makes. Al looks at the truck owner’s journal, and we find out he was called Polar Bear. Wen says he had many memorable sayings, but Al doesn’t think he’d like them written on the faces of the dead. Morgan says they’re going to find Victor and the others, including the guy who owned the truck. Jim says they don’t even know if he’s alive. Sarah says they wouldn’t have stolen the truck if he couldn’t have taken care of himself. June says Quinn looked like he could too. Jim wonders about what that nut job said; she knows what Morgan is capable of. He asks Morgan what that means, and Morgan says, it doesn’t matter. Jim tells Morgan they agreed to come with him; they deserve to know. Sarah says this makes twice today she agreed with him. Morgan says he has things he needs to make up for; the same as everyone else. He suggests they hit the road. Sarah asks, what if they say no? Morgan says he’ll take the truck and keep doing what he’s doing. Wen asks if he knows how to drive eighty-thousand pounds of steel at eight miles an hour. Al says she does. She wants to talk to the guy who set this up. Sarah takes out a knife, but Morgan knocks it out of her hand with a shovel. She says they’re going with him.

A zombie starts to walk across the water, and the crocodile grabs him. Victor says he’s not going anywhere, but John says there’s got to be a way to them. Victor asks if he really thinks he’s going to find June. He says he found her before; he thought she was dead. Victor says look what that got him. John says he knows there are no happy endings, but they have to fight every day, and he found someone to fight with him. He takes out the piece of candy, and says it’s her favorite. He’s not changing his mind, and when he sees her, he’s giving it to her. If they don’t fight every day, they’re no better than the past. Victor says, the only difference between them and the past, is one day’s rations.

Commercial break with an interesting Walking Dead ad, announcing Rick Grimes’s final episodes – beginning October 7th. Ya’ll know he’s leaving, right? At this point, I can’t even make myself care. That show would be totally depressing without Negan. They had their chance to balance things out several times, and blew it. And we’re back.

John sees a zombie stuck in a truck toward the top of a cliff.

Luci tells Clayton that she’s getting him out. He says it’s nice thinking that she’s willing to help, but she can’t. The car is the only thing keeping him together. She says there has to be something she can do. She asks if there’s anyone he wants her to find; anyone looking for him? He says, one, but it’s the only person he doesn’t want to see; the rest are gone. He says he never thought he’d go out like this, and laughs. He’d love to have one last beer. Luci says he’s going to get one. She gives him a radio, and says keep talking to her. He tells her no one uses channel 17.

John and Victor look up at the truck. It has a square, plastic cover over the bed. Victor says, it will never work, but John says, it will float better than wood. Victor assumes John wants him to retrieve it. John says the only reason he can’t is because of the injury Victor and his friends gave him.

Morgan puts a box along the road. Sarah says Polar Bear should have changed up his route. Al asks if she thinks them stealing his truck is his fault. Sarah says she couldn’t help it if he left his keys in his rig. Morgan says, if they’re lucky, he’s still around. Jim says, or walking around with things written in Sharpie on his face. They decide to get going, and Morgan writes on the box, if you need help, vhf channel 4. June wonders if John will see it, and Morgan says they’ll find him. One way or another, they’ll find them all.

Victor gets on top of the side of the car. John tells him, release the latch, and gravity will do the rest. Victor says he knows what he’s doing. He looks inside and sees a bottle of primo whiskey on the floor of the car. He reaches in, trying to dodge the zombie, and John is like, what the hell? Victor grabs the bottle, but the zombie grabs him – I say, oh, sh*t! – and pulls him into the car – I say, oh sh*t! The car tumbles down the cliff – I say, oh sh*t! – and into the water – I say, oh sh*t! John runs to the car. The zombie has been impaled by a branch, and Victor has the whiskey. And it’s not even Pappy van Winkle.

John tells Victor that he could have gotten himself killed, and Victor says, but he didn’t. John can’t believe he almost killed himself, so he can tie one on. Victor says good luck with raft two. He’ll be a noisemaker when John needs him. John works on the raft.

Luci checks a beer truck, but no surprise, it’s empty.

John loads the raft with some supplies.

Luci opens a garage. Over the radio, Clayton asks how it’s going. She says she’s getting close; she knows it. She looks in a fridge, and it looks like mine when I first moved to NYC – empty.

John prepares the new raft, reinforcing the seams, and making some kind of flotation thing to attach.

Luci finds a six pack, but it’s root beer.

Victor drinks. John asks if he drank before. Victor says he was an amateur; now he’s gone pro. John asks, what for? and Victor says he drinks to forget. John says, forget what? and Victor says, that he has no one to drink with anymore. John has things to look forward to. He only has things to look back on. John tells him that he’s not trying. He can have someone, just not here. Victor asks what about the distraction, and John says he’s got it.

John shows Victor how he’s rigged up an alarm. He asks if Victor doesn’t think it will work, and Victor say he didn’t think John would survive a bullet to the gut, but here they are. John says he’s just got to believe. Is he coming? Victor says, yeah.

Clayton asks Luci if she’s okay. She says she’s sorry. She thought she had it. Clayton says there’s nothing to be sorry about. She tried to help. Not a lot of people are still willing to do that, especially for a stranger. She says, it doesn’t matter; she failed. Clayton tells her there was a time when he didn’t want to be around anyone. He found a job that took him away from the world. Away from everyone he ever knew or cared about. Then when the world changed, everyone went away, and he realized he’d made the biggest mistake of his life. Luci asks what he did, and he says he couldn’t help the people he ran away from, so he helped the people still around. Luci doesn’t understand, and he says just because she couldn’t help him, doesn’t mean she can’t help someone else.

John starts the alarm. He asks Victor if he really needs a drink before they reach the other side. The zombies start to come. John and Victor put the raft in the water, and start to paddle.

Luci sees one of the boxes. I knew it! I knew that’s where the beer would come from. She sees Morgan’s message about channel 4, and finds the beer.

Victor and John continue to paddle. The zombies gravitate toward the noise. It starts to lose steam, and I say, nooo. John says, that’s a pickle. They’re almost halfway across, and John says, fiberglass is strong. The raft suddenly moves, and John loses his oar. Another, oh sh*t. It’s the crocodile, going under them and circling. John shoots at it. It’s that quiet moment before something happens, and the crocodile bumps the raft again. The raft begins to take on water through a crack. John thinks they can make it, but Victor is like, no. They can’t fight if they’re dead. It didn’t work, and it’s never going to. The only reason Victor went along is because he felt sorry for John, but he won’t die for him. He tells John to fire his gun, and they’ll swim back. John shoots the gun, and the zombies start to come in to the water, where the crocodile picks them off. Victor says he can’t. He’s going to live, even if only for a while longer. They swim back.

Luci comes back to the car. Clayton says she doesn’t give up. She says she watched someone die, and couldn’t do anything to make it better. She’s not letting it happen again. She gives him the beer, and he can’t believe it’s cold. She tell him the first aid kit had ice. He drinks deep, and smiles. He thanks her, and asks if he can give her something; a couple of notebooks in the back. They list places he left supplies; things that will help her. She’ll read about it. She says his job that took him away, what was it? He takes her hand and says he drove trucks. It’s him! It’s Polar Bear!

Luci puts the empty bottle on Clayton’s grave. She turns the radio to channel 4, and says, whoever left the box, if they’re listening, thank you. What they left helped more then they’ll ever know. Morgan says, Luciana, is that you? and Luci says, Morgan?

Victor leaves John sitting on the ground, and watching the water. He seems pissed, and goes inside. John takes the candy out. It says black licorice on the wrapper (like that’s anyone’s favorite candy in this century). He unwraps it. I’m very distracted that it looks like a caramel, and I wonder why. Because it’s old? How does black licorice change color? Or is it not really black licorice? He eats it, and it no longer matters.

Sarah’s truck barrels down the road. In the back, Morgan looks at the notebooks. Luci says, he said they were important, and could help. Morgan asks if he knew where she found the beer, and she says she didn’t get the chance to tell him. She thinks he’d like what they’re doing. The radio comes on. Charlie asks if someone is there, and we see her with Alicia by one of the boxes.

Morgan asks if they need help, and where are they. Alicia tells Charlie, it could be trap, but realizes it’s Morgan. She tells him that they’re all right, and by mile marker 84; they just found the box. He says they’re just north of there; they’re coming back. Crazy Lady breaks in and says, she needs him to be strong. Morgan says he knows her, and to listen to him. She’s wrong. What she said about helping people, it doesn’t make them weak; it makes all of them strong. He’s been where she is – stuck. She thinks what she’s doing is the right thing; the only thing, but it’s not. So they’re going to keep finding the people they’re looking for. It’s working already. They’re going to find them and help them, and then they’re going to help her.

Sarah says, that van Al was talking about – Al says, it’s a tank. Sarah thinks they found it. It’s at their back door. They all look, and see Al’s tank heading toward them. Jim says, holy sh*t! and Al says, it’s sluggish as hell. Sarah asks what they think the truck is. She tries to speed up, and Wen says it’s gaining on them. Sarah presses the gas harder.

Morgan gets on the radio, and asks what Crazy Lady is doing. Crazy Lady gets near them and opens the top where the artillery is. She says she told him that she was making him strong. Morgan tells everyone to get down.

Alicia and Charlie hear gunfire on the radio. Alicia says, Morgan? and gets silence.

Next time, Crazy Lady hooks herself another zombie, Alicia wants to keep moving, Jim wants to move away from things that want to eat them, and June asks what’s next?

👄 Bad Girls Gone Good…

Nothing is better than a fabulous comeback. Whether it’s to a guy who wants to hey mama you on the street, or it’s a reality show villain.


👠 Lots of Lala…

One of the comeback kids.






👓 New NYC Wife?

Could this by Carole’s replacement? Frankly, after the reunion, I’m glad to see the back of Carole. I liked her until she found “her voice.” Apparently, that voice is pretty nasty. This is an interesting turn of events, since the last time Barbara was on the show, she tried to keep it from happening.


👰 The Latest Wife is a Wife…

Two words the dress. I’m also thinking, I guess the so-called bad blood between Denise and LVP isn’t that bad, since LVP was at the wedding.


😞 This is Just Sad…

It’s strange, but when you watch these people for years, they sort of become like one of the family. Albeit, a lot of the time they’re those cousins you love, but at a distance. It always makes me sad when there’s a rift that can’t be mended, and this one is a heart-breaker.



😲 Yep, It’s Back…

September 2, 2018 – Morgan Has a Reunion, Jenna Talks, Lala Gets a Ring On It, Going Downton & Long Weekend


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


Fear the Walking Dead

June watches a video of John talking about finding her. She gets out of the tank and surveys the damage the storm has wrought. She tries to get a radio signal. She says she never should have left John at the bus, and talks about seeing the video. She says he knew; he believed. But if Al had asked June that question today, she doesn’t think she could answer like he did. He knows her. When the going gets tough, she runs – or worse. She says things are pretty tough right now. She wants to know how he believed. Al comes back and asks if she’s trying to raise John. She can’t find diesel and tells June to conserve the battery. They can’t recharge.

The next day, Al whittles, while June pikes a zombie in the head. They sit and watch nothing. June says they can’t keep going out just far enough to make it back before sundown. They have to keep going. They’re almost out of water. The radio crackles. June asks if it’s John, but the voice isn’t clear.

A half zombie is attached to the front of Sarah’s truck. She stops, telling Wen it’s a clean hit. She takes a look, and pikes it in the head. She asks if Wen remembers when dad hit the seagull; it was a one in a million shot. She tells him that she still gets the point. He says, half. Morgan tries the radio, and gives their location. He says they’re headed west. He’s got help.

June thinks they should go to higher ground and find the signal. Al asks if she killed the camera. June says she killed the battery watching the tape. Al isn’t looking well, and says it’s low blood sugar. June tells her to stay. She feels Al’s forehead and says she’s warm. She wonders if whoever was on the radio has food. They should find them, then come back and fix the van.

Morgan says he’s leaving the channel open, and will be listening. Sarah asks if he really thinks he’ll find his people. He says he has to try. Someone did that for him for as long as they could. She asks if it worked. Morgan is silent, and she says it didn’t. He says, it will work, and repeats the location.

June hears static. Al walks behind her. June asks if Al’s vision is okay. Al says she’s fine; it’s just been a while since she’s eaten. We hear zombie noises. June says they might be done walking. Are they going to ride a zombie? They see a car, kill the zombie inside, and drive. June keeps trying the radio, but gets nothing. She says they need to find higher ground, and apologizes for using up the battery. Al understands. It’s the next best thing to talking to him. June asks if Al has ever found someone, but Al says, when you’re collecting other people’s stories, you stop having your own.

June asks if anyone can hear her. Crazy Lady is listening in, and tells her zombie, Purvis, that he made them weak.

Sarah calls Morgan Momo. He asks her to stop, but she says she can’t’ She likes it. Morgan hears June for a moment and responds. He tells Wen that he’s taking stroll. He’s going to try and get a stronger signal. Wen asks what they do, and he says, wait. Sarah says it looks like they’re tailgating. Morgan walks, and says he hears them; hold on.

June tells Al to keep driving, but Al throws up. She says maybe it’s not her blood sugar. June says it’s a bug. The van suddenly drives past, and Al takes off after it, saying she’s stopping that SOB. June tells her to slow down, but that’s a no. They speed along behind the van, crash into something, and go into a spin. June says Al is sick; screw the van. She needs antibiotics. Al says she has them – in the van. They have to get it back.

Morgan sees Crazy Lady at one of the boxes. He tells her, what’s written is the truth; you can take what you need. Things are tough out here. What’s in the box helped him, and could help her. She says she doesn’t need any help; she’s not weak. Morgan tells her that he didn’t say she was. He tells her again to take what she needs, and he keeps walking. She watches him. She says, he’s right. Things are tough out there. He should be careful.

Crazy lady fills a bottle with puddle water.

A zombie toddles toward the car. June tells al to stay with her; keep talking. She asks where Al got the van, but Al doesn’t want to get into it right now. June says she hasn’t seen many reporters with hardware like that, and Al asks how many did she know? They hear gunfire, and Al says those are hers; it’s close. She says June can go; she can do this. It’s the only way to get the meds she needs. June doesn’t want to leave, but gives Al the radio. She says if she doesn’t’ come back, to get in touch with the people they heard.

June sees an overturned bus, and hears zombie noises coming from it. She sneaks around the bus, and sees the van with the door open, and a pile of zombie bodies nearby. She slides around the other side, and peaks in the bus, where a trapped zombie is flailing around. A man tells her, drop the gun, while he has one pointed at her head. She does what he asks, and says she just needs some medicine. He tells her, hands behind her head; move.

On her knees in the road, June tells him that he doesn’t have to do this. He continues to hold the gun on her, and asks where her friend is; she must need medicine for someone. She says she doesn’t need the van, just the medicine, and he says, this isn’t a conversation. June says, what he’s doing, she’s been there, but someone showed her that she didn’t have to live like that. Neither does he. They can work together; help each other. He says, no, they can’t. We’re all the same, doing what they can to protect who they care about, know, and love. That’s where it stops. June says she can’t let her friend die. He says if he comes, he’ll be the first to go when things go south. June jumps up and knocks him down.

Al hears a gunshot. She gets out of the truck, and tries to remove the tire that’s blown.

June struggles with the man. She gets the better of him, and gets the gun. She makes him lie on the ground, and tries to start the van. He says, it’s out of gas. He thought there was diesel in the bus, but there wasn’t. She tells him, get up. Inside the van, she asks him where the cipro is. What did he do with it? He says he pulled over, and killed the dead who broke out of the bus. It’s not his fault if it’s not there. He says, you can’t help people, and June tells him to go. He says she knows what it’s like out there, and she says he didn’t believe her. He admits he didn’t. He jumps down, and she locks the van.

June goes through everything. She finds a radio, and calls Al. She asks where the medicine is. Al can’t even stand, and falls when she tries. A zombie struggles up from the mud, and its leg breaks at the ankle. It still manages to grab Al, who holds it back just barely. She has a knife strapped to her leg, and works to get it. On the radio, June says she can’t find it. Al finally get the knife, but she’s not strong enough to stab the zombie in the head. She kicks it under the car, and kick’s the jack down, crushing the zombie’s head. June asks if she copies. Al grabs the radio, and June asks, where’s the medicine? Al says, there isn’t any. She needed to get the van back. June sits in the middle of a mess, and throws the radio into it.

Al thanks June. June says she was lucky there were meds on the bus. She could have died. Al says June could have died too, but they didn’t. The van will keep them breathing; they just have to get diesel. June says she almost killed to get medicine that wasn’t there. Al says, someone who stole the van; June doesn’t get it. June says she does, but it almost got them killed. Al says, almost did. June says she’s trying not to be that person. She’s been running from who she was and what she did, and almost became that person again. Why is the van so important? Al says it will keep them alive. June tells Al that she says the truth matters; is she telling the whole truth? Al says the tapes are all that’s left of dreamers. June says, people she barely knew, and Al says, not all of them. June saw one of them. June says, you can’t help people if you’re dead. Al says it’s not just other people’s stories on the tapes; it’s her story. The people she knew; the people she loves, and she’s not leaving them behind. June ponders this, and nods. She sits down on the ground next to Al.

Morgan climbs a water tower. Ha-ha! That sounds like a children’s book. He radios, asking if she still hears him. He doesn’t think he can stick around. Al hears him talking.

June grabs the radio. Morgan says they’re packing up to leave, but wanted to give their location once more. June says, it’s her; she’s with Al, but the only reply is dead air. Al says, the battery is dead. June looks at a map, and says, he’s fifty miles away, and they have enough gas. Al says they need the van, but June says they’ll miss him if they don’t leave now. Al says they’ll catch up.

Al gets out of the car, and tells June to go. June says, Morgan is out there. That means John and the others might be too. They’re alive. It doesn’t have to be this way for her. Al closes the door, and starts heading to the van. That medicine worked fast. June starts the car. Al stops, and shoots in the air. She turns toward the car, as June backs up toward her. Al gets in, and they drive off.

Wen doesn’t think they’re coming. Morgan says, it don’t look that way. Wen suggests the keep on truckin’. Morgan gets in, and Jim hands him a beer, saying he looks like someone who needs a drink. Sarah sees a car in her rearview mirror. It’s June and Al. June says sorry they’re late, and Morgan says they’re here now; that’s what matters. She asks about John and everyone else. Morgan says he’s still looking, and introduces the others. He asks Sarah to get them some food, and she brings out one of the boxes. June asks if they’re the ones putting the boxes out, and Morgan says it’s the person who owns the truck. They’re returning it, and making drops along the way. June says they’re helping people, and Morgan says, that’s the idea. She asks to borrow his radio.

June gets on the radio and says, she doesn’t know their name or if they’re listening, but the last time she did this, they were. If they can hear her, she’s sorry about what she did, making him walk away. She wants to show him that he’s wrong about something. That we don’t just watch out for the people we know. She says they’re at the mile 27 marker. They have food, water, and supplies; whatever they need to get back on their feet. A man’s voice replies, is that you, cipro? June says, yes. He says he managed to find diesel. Her friend shouldn’t leave her ride sitting around. She says if he wants to come, he won’t be who he was; the guy who held a gun on her. He says, my name is Quinn. She says, June.

Morgan asks if Al is okay. And she says something hit her hard. She says it looks like he found new ride to Alexandria. He says she’s still welcome to join them. She says, just so he knows, she doesn’t plan on staying. She wonders what he knows about the guy who the truck belongs to, and he says, not much. She wishes she had her camera.

Quinn radios June. He says he’s at the mile 27 marker, but she’s not there. She tells him, check again. He says he’s looking right at it. He takes a closer look, and realizes it’s been changed. The Crazy Lady’s zombie-on-a-stick pops out, and attacks Quinn. June asks if he’s there.

Crazy Lady turns off the radio. She says she has to let Purvis go now. He did what he was supposed to. She’s going to set him free to keep on truckin’. She pokes him with a stick, and when he backs up, she closes the cab door. She writes on Quinn’s face – people you know. She tells him that he isn’t going to be weak anymore. He opens his eyes, and she smiles maternally at him.

Next time, Quinn returns; John, Victor, and Luci are still alive; and an alligator eats a zombie.

👂 On Talking Dead, Jenna Elfman gave a colorful account about June and Quinn’s tussle for the gun. She repeatedly, albeit accidentally, kneed him in the goods. And then there was the long ride home…

🙈 Sorry This URL is So Long…

But worth sharing that Lala Kent (Vanderpump Rules) is engaged to her man.


📑 My Excuse…

I’m running late tonight because I had the pleasure of seeing the Downton Abbey exhibit, as well as catching up with an old friend, in NYC today. Tomorrow (9/3) is the last day, but it’s going to other cities. If you’re a Downton fan, it’s a must-see. Holograms, costumes, props, entire rooms from the show are on display. It’s a multi-media extravaganza. There’s even a virtual quiz to see which staff position you’d be suited for. If you must know, I would not have been hired at all. I think it was the question where I answered that I’d give a malicious laugh that took me out of the running.


🛀 And If Your Weekend is a Long One…









August 19, 2018 – The Dead & Nothing But the Dead, Plus Kveðja Helgi


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


Fear the Walking Dead

The storm continues to rage. Alicia enters a house, walking cautiously forward. She calls out, asking if anybody is home. A zombie toddles out, and she dispatches it, dragging it out of the way, only to deal with another one. A third zombie comes out, and she does a double stab with a weapon in each hand. She kills one more, and puts the bodies outside in the same formation that’s in a family photo on the mantel. She cleans her pokey-thing-with-the-holes weapon.

Alicia washes herself up. She takes down the family photos, puts them in a basket, and tosses it next to the bodies. She can’t get the front door to stay closed, and looks around in the basement. Water is pouring in. She gets some nails, and boards the door shut. She goes to the kitchen, and finds some cans. While she’s looking around for a can opener, she hears something upstairs. She goes up and looks around. It’s hard to tell whether noises are zombie noises or wind. Both. There’s a zombie hanging around outside. She says whoever’s in there, get the hell out or I’ll kill you. They have one chance. She says she just wanted to be left alone.

She opens a closet. Charlie pops out and takes off. Alicia asks why she’s there. Did she follow her? She says Charlie can’t be there. Alicia throws a bunch of stuff in a bag, pries the boards off the door, and goes for the family’s car. She can’t get the car door open, and pulls so hard she falls back and gets knocked out.

She wakes up indoors, in candlelight. She grabs her weapon, and asks why Charlie brought her back. She sees a bedroom with the door closed. She knows Charlie is in there; why doesn’t she say something? She says, if Charlie isn’t going to talk, then she needs to listen. Alicia’s mom died saving her – saving Nick, saving everyone – because Charlie led Mel to the place they built; because she lied to them. Then she shot Alicia’s brother. Alicia watched him bleed to death. She couldn’t do anything except watch him die, and realize he was going to die. It didn’t happen fast. He was aware and in pain, and knew Charlie did it. He tried to save her, and she killed him. She made him feel like his life didn’t mean anything. She can’t send Charlie out there, but will probably kill her. She doesn’t know if she wants to, but she probably will. On the other side of the door, Charlie takes out a gun. Alicia says she’s trying to believe like her mom; it’s the only thing keeps her mom alive. If she kills Charlie, she won’t let her take it away again. She may be a kid, but she knows what she did, and that makes her garbage; a waste of a person, and worse than the zombies. She hopes Charlie lives to a ripe old age, and has to remember what she did; what she is, and how she can never ever make up for it. Charlie cries.

Alicia tries to nail a shutter from the outside, but the wind is too strong. She uncovers one of the bodies. Question mark over my head.

Charlie has brought the basket of family photos inside. I guess Alicia must have noticed it was missing. She takes them out of the frames, and dries them. I would think it was her family, but she’s not in any pictures. Alicia comes in, and asks why she wouldn’t say anything. Did she know these people? She put the photos out there for a reason. She tells Charlie to come downstairs, and put on her coat. Charlie follows her.

Alicia makes Charlie hold the shutter closed while she nails it. They do the next one. Alicia sees zombies starting to gather, and she says they’re making too much noise. She shoves Charlie inside, and boards the door. She says they’ll try again later.

Zombies clamor at the window. Alicia asks for Charlie’s coat, telling her that she’s trying to do the right thing. Charlie heads upstairs, and Alicia ask for her coat again, startling Charlie when she gets in her face. Alicia takes out the gun, and asks if it’s the same gun. She holds it to Charlie’s head. She told Charlie that she couldn’t be here, and asks if Charlie came to kill her; to get her before she got Charlie. Charlie shakes her head, and Alicia tells her to go. She runs upstairs.

Alicia builds a fire. She tells Charlie that she’s sorry; she’s trying. Upstairs, Charlie goes through the photos. She hears zombies, and pulls the curtain on the deck door aside. She opens the door. Alicia gets the fire going, but hears noises from upstairs. A zombie is hanging from a tree right off the deck. Charlie goes to edge of the deck, and it grabs her, but Alicia pulls her back.

Alicia realizes the gun wasn’t for her; it was for Charlie. Alicia thinks they both know there are no good reasons to keep going. She might have had the right idea, but that doesn’t mean Alicia is letting her do it. Charlie asks why Alicia saved her. Was it because Alicia wanted her to live with what she did? Alicia doesn’t know, but Charlie doesn’t get off the hook. She thinks Alicia saved her because she sees something in her, and forgives her. That’s not true. Alicia can’t help her. Whatever she’s looking for, Charlie isn’t getting it from her. She has to live with what she’s done, just like Alicia has. All that’s waiting for her is to be out on the porch like them. Charlie asks how long Alicia thinks the storm will last? Alicia says, how would she know? She’s from California. So it really doesn’t rain there?

Alicia heats up a can of something; not pudding. It looks like beans. Why is it always beans? They eat in silence. Charlie asks if Alicia lived near a beach, but Alicia says, no. Charlie says, Alicia told her that she’s from California, and Alicia says, it’s a big state. Charlie asks what it was like, and Alicia says, what does it matter? Charlie says, It doesn’t. Alicia says, Charlie has never been to the beach, has she? Charlie says he was supposed to go to Galveston with her parents. They were going to spend the day on the beach, go to the boardwalk at night, and maybe ride the roller coaster. Then everything changed, and… Alicia says they all missed. Charlie says sometimes when she’s reading, she likes to close her eyes, and see hat she read about. She can’t find any books about Galveston. Alicia says the last time she was at a beach, it was like everywhere else, overrun with the dead. Just another place to run from. She tells Charlie to get some sleep, and Charlie lies on the couch.

Alicia wakes to the sounds of the storm, and looks for Charlie. Zombie dude is still hanging from the tree. Charlie is in the room, messing with the photographs. Alicia tells Charlie that she can’t be in there, and Charlie says she has to arrange the photos because someone might come back. Alicia says everyone who gave a sh*t is dead. Charlie says she doesn’t know that. Charlie knows she’s garbage, and she can’t make up what she’s done, but she’s doing this. Alicia tells her to do what she wants, but she won’t feel better about any of it.

Alicia tries making a fire again. Lightning strikes outside, and the wind is getting stronger. Alicia says she knows what Charlie is trying to do, and trying to believe it, but she can’t. Sometimes when you’re gone, you’re just gone. These people are definitely gone and nothing is going to change that. Charlie asks why she cares. A window blows in, and zombies are blowing all over the place.

They go downstairs, but the basement is flooding fast. The ceiling partially caves in, and they both end up in the water. Alicia tries the cellar door that leads outside, but it’s padlocked. She tries a window, but the panes of glass are too thick. She says they’ll have to wait it out, but they’ll get out. They stand on trunks, as the water rises. Charlie doesn’t want to die. Alicia knows. Charlie says she doesn’t want to be one of them. She saw her parents after they turned. She didn’t think it was real, and they came back – like that. Alicia says she’s sorry. Charlie says she tried to remember what they looked like before, but she can’t. She wishes she had a picture. She asks if Alicia still has the gun. Alicia says she can’t. Charlie cries, saying she can’t end up like them. Alicia’s mom and brother; they’re all gone. Alicia says she’s not doing it. Charlie says she won’t make it, but Alicia says they will. Charlie asks her, please, just do it. Charlie knows she wants to. Alicia holds the gun to Charlie’s forehead. She she thinks of her mother and brother, and the stadium at the end. She starts to cry, and says she can’t, She takes Charlie’s hand.

They hear a sound. The cellar door has miraculously opened enough for them to get out. They scramble outside. Somehow hanging-by-a-limb zombie has fallen and broke the door open. Alicia shoots him in the head.

Alicia buries the family. The storm is over. She tells Charlie that she did it for herself, for Charlie, and for the people who could come back. Charlie gives Alicia her weapon, saying she found it in the house. Alicia tells Charlie to keep it. She asks if Charlie is good at finding things, and Charlie says, yeah. Alicia puts the pictures in a jar, and puts it next to the graves. Charlie says she can see Madison in her, even if Alicia can’t; she’s there. Alicia says she left Morgan alone in the storm. She walked away from him; all of them. Charlie says she’s good at finding things, and smiles. Alicia almost smiles back.

Alicia drives. She tells Charlie to close her eyes. She’s going to take her to the beach. It’s one of her favorite places to go. She’s in a car, and the windows are down. She can feel the air. It’s soft, and smells like salt. That’s how you know you’re close. You can hear the waves. Then you see the beach. You take off your shoes, and feel the sand in between your toes, walking to the water. When you go in, it’s cold at first, but the longer stay in, the more you don’t want to get out. And you float. Charlie imagines looking back at all the people on the beach. Alicia asks if she’s there. Charlie says she’s in the water. It’s really blue. She’s walking back… She can see them. Her mom and dad. She can see them again. Alicia smiles, a little more this time.

They go back to Victor’s house. Alicia calls for Victor and Luci. It’s a mess; I guess from the storm. They look around outside. Charlie calls to Alicia. There’s a bus overturned on the bridge leading away from the house. Charlie says they have to find them and help them. Alicia says they don’t know if they’re alive. She thinks they’re gone. She tells Charlie, things don’t get better. They’re not going to; they’ll only get worse. Hopefully, they’re not around to see how bad they can get. A zombie toddles out from behind the bus. We’re all grateful that it’s no one we know. Alicia takes her pokey weapon from Charlie and kills it.

She tells Charlie to come, and they walk away from the bridge.

Next time, Morgan finds a new place and new people.

🌠 Another One Bites the Dust…






August 12, 2018 – The Return of Fear, Upcoming Fear, Chris Returns, Movies, and Two Born This Ways


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


As much as I hate being torn away from 90 Day Fiancé, Fear the Walking Dead is back, and I love this show. It’s like Walking Dead’s baby whose generation finally got it right.

Fear the Walking Dead

A nasty storm has come up. Zombies feed near the road, and a few get blown away by the wind.

A zombie falls. Someone ransacks his backpack. It’s Morgan. Piking zombies and taking booty. He gets a radio and lines up all the things he’s nabbed. It’s not a very exciting haul, but there are some protein bars and water.

Al does some soldering. Morgan radios her, and she asks if John is okay. He is, and Morgan asks if she remembers when she interviewed him. She asked questions about where he came from. She asks if he’s going to tell her what she wants to know. He says, no, but he’ll show her. He’s going home, and wants her to drive.

Naomi, now June, guts a fish. Morgan comes looking for John, who’s inside the bus. John says Virginia is a long way. Morgan thinks he shouldn’t have left. It’s where he belongs and where he should be. John says if that’s what he thinks, that’s where he should go. Morgan says they could all come. Alexandria is a good place with good people. John doesn’t think he can make it in his current state, and Morgan doesn’t know what’s out there. He, June, and Charlie are going back to his cabin, if he can make it safer. It’s far, but not Virginia far. He asks when Morgan is going, and Morgan says, tomorrow. John asks if Morgan wants to stay for dinner, but he has more stops to make. He’ll come by before he leaves; maybe John will change his mind. They’ve been through harder things. John appreciates it, but – he looks at June – he thinks he has everything he needs right there.

Morgan goes through a gate into a massive estate. A zombie toddles out, and says, ueeeh yaeh, and Morgan pikes it. Victor calls from an upstairs window of the house, saying, there’s a breach in the fence, and his aim is off. He tells Morgan the door’s unlocked.

Inside, Morgan looks at the art on the walls. Victor, wearing a smoking jacket, asks what Morgan thinks; he’s been rotating the collection. He tells Morgan the wine cellar is quite extensive. Morgan asks where everyone is, and looks around. The house itself is quite extensive. Luci lounges in the music room, while listening to country music. Morgan turns it off, and says he was hoping they could talk. He’s headed back to Virginia. They have room for everyone, even Victor. Victor laughs, and says, road trip. He’s had his fair share of those. Luci doesn’t want to set foot in Al’s tank again. She can’t go out there. Victor says he’s retired from scraping by to survive. He found the best the world has to offer. Luci says there’s nothing for her there – or anywhere. Victor tells Morgan to enjoy his trip, and Luci says, be safe. Morgan asks where Alicia is, and Victor says she moved out of the main house, although she never really moved in. Luci thinks she’s by the garden.

Morgan goes to an enviable greenhouse, and calls for Alicia. He’s met with silence, but looks around. He sees notes that say, HELP.

Alicia is banging on the fence to attract zombies. She stabs them one by one. Morgan needs to talk, and she says she can’t right now. He says she’s been through a lot. It doesn’t seem get better, but he can help. She says she doesn’t need it. He asks, what are these? and shows her the notes. Alicia says she didn’t write them. Someone is tacking them onto the dead. She’s checking them, thinking one has to have something. Morgan tells her it’s not safe, but she says someone needs help. He says there’s no way to tell when they were written or if the person is still alive. There are other ways to do what she’s trying to do. Victor and Luci haven’t seen her for weeks. He thinks it would be good for her, and she could do a lot of good if she goes back with him. She says someone needs help here and now. He says she doesn’t know that. He’s leaving in the morning; she knows where to find him. She bangs on the fence again.

June tells John in a couple more weeks, he can fish again. He says she’s caught more wide mouth bass in these last few days, than he has in his entire life. She asks if she heard right when he told Morgan they were going back to the cabin. He says if it’s still there, but he was just batting around the idea. Given his condition, and the condition of everything… Zombie noises come from outside. Charlie is reading by the creek, and a zombie comes at her. She backs up in silence. Al intervenes, and kills the zombie.

Victor wakes to a bunch of noise. He looks out, and sees blood on the front storm door. A zombie is inside, but Luci has her back to it, and the music is so loud, she doesn’t hear it. Victor gets the zombie before it gets to her, and she doesn’t even know what’s going on. He kicks the boombox, and says, these grapes were not meant for wrath. They have to find the breach.

Al is glad she came to check. John says Charlie will be all right. June asks what happened, and Charlie doesn’t say anything. Al says she didn’t call for help. John tells her that Charlie doesn’t say much. June thanks her, and they look over the bridge to zombies floating down the creek. John says, dead washing up usually means something is amiss up river. He wants to see what’s going on, but he’s not up for it alone. Al says she’ll go with June, and gives him a radio, saying, if anything goes wrong, she’ll call. She just tuned up her gun; they’ll be fine. She and June leave.

Morgan packs. He looks at his book The Art of Peace. Alicia says she knows where they are. There’s a lumber mill up the road. They passed it on their way there, but it’s overrun. Whoever has been writing needs more help. Morgan says he’ll check it out, but Alicia insists on going. They walk down the road. The wind picks up.

There are downed trees I the road, and June tells Al, they have to backtrack. Al thinks can clear them with the cable. She sees a box by the side of the road, with a sign that says, take what you need – leave what don’t – see you further up the road. Al wants to grab her camera, but June says they have to keep moving. She tells Al to be quick, and asks what John said about her when Al interviewed him. Al says he told her a lot about Laura, and the others told her about Naomi. No one said anything about June. Anything June wants to tell her? It wasn’t her motive – she just came here to help – but maybe it would help June to talk. June says she’ll think about it.

Morgan wonders what happens after Alicia helps them, and she says it won’t matter; he’ll be on his way. He says she’s not in a rush. He didn’t say goodbye, and no one knows where he went or what happened. He thought he was doing what he had to do. Alicia says they might not be there anymore, but Morgan says, they will. They’re strong, like her. He has a friend back there, the one who said he’d find his way back to the world and people. He left to get away, and prove his friend was wrong, so he wants to look him in the eye and say he was right. He deserves to know. He doesn’t want her to find out the hard way. A zombie toddles out. She kills it, and sees another note on it. They keep walking.

Victor fixes the fence. He tells Luci that should keep wolves out of the henhouse. He asks if she wants to adjourn to the cellar. She asks what they’re doing here, and he says, enjoying the bounty of their discovery. She doesn’t know what’s left, where to be, or what to fight for. He says they’ve been asking themselves the same questions. He’s going to at least enjoy himself while he’s asking.

Alicia finds another note asking for help. Morgan says there’s a reason for asking. Maybe they should find out why before they rush in. Alicia says, no time, and he follows her into the lumber yard.

John makes a Scrabble game out of cereal box letters, Charlie is reading in the bus, and he wants to ask her a favor; to play a game. He holds out a coffee can, and she takes letters from it. He says there was time he didn’t talk much either. He’d done something he wasn’t proud of. He says you keep thinking on it, and it starts to eat away at you, until you start thinking there will be nothing left; nothing worth keeping anyway. Then something happened. He found someone to talk to. Telling her brought him back to the world, and allowed him to forgive himself. He’s sorry if he overstepped. He tells her he’ll be right back. When he’s gone, Charlie puts her books in her bag, and gets out of the bus. She opens the gate and leaves.

Victor hauls a zombie outside, and sees John. Victor says it’s nice to see him ambulatory, and John says he has a good nurse. Victor tells John that he caught him doing a little light housekeeping. John needs his help. Charlie took off, and she’s out there somewhere. He thinks if he looks by himself, she’ll remain that way. Victor wonders if John knows who he’s coming to. What makes him think Victor would help? She shot his friend. John says he took a bullet because of them; Victor owes him. Victor advises him to leave Luci out of it. John will have to drive. Victor has been drinking heavily.

Morgan and Alicia walk through the lumber yard. Alicia sees more notes on a pile of wood planks. She points to a building and says, that’s where they’re coming from. They hear zombie noises from inside, and go in. There are a load of zombies gathered together near a door, and Alicia says, they have him trapped. Morgan says he’ll help her. He lures the zombies outside, and underneath a crane holding a load of logs. Alicia cuts the cable, and it lands on them.

Alicia goes into the room, and there’s a lone zombie inside. Morgan says he’s been like that for days; she couldn’t have saved him. She sees notes that say, help, come quickly. She says if her mom had found him, she would have saved him. She did whatever she had to do; she was good at that. Morgan says, like her mom used to be before the stadium? She changed, so Alicia can change. Alicia says she has a lot to make up for, and Morgan says, he does too. He asks why she’s sleeping in the greenhouse. She says it gave her a reason to run away, and he says Victor and Luci think they need her. She can save them, like her mom did, if she was just there for them. Alicia says Morgan could be there for them too, so why is he here? She walks out.

Al videos the creek. June thinks they should check upriver; they have to be coming from somewhere. She asks Al to turn the camera off. She wants to talk without being filmed. She says John fell in love with Laura. She’s not Laura. She’s a woman who got sacred and ran away. Not just from him, from everyone. That’s who she is. He wants to go back to the cabin. If they do, she’s afraid he’ll realize she’s not Laura; she never was. If he realizes that… Al says she doesn’t have any advice. She doesn’t know what she’d do, but since they’re just talking off the record, June is with John, helping him. That’s who she is now. Yesterday is yesterday, and today is today, and God knows if they have tomorrow. Al says she sounds like her mom. That’s why she doesn’t do this. June hears something, and birds come flying out from the forest. Al suggests the tide is washing out, but June says not from a bridge that’s out. She thinks they better get out of there.

John waits in the car. It’s beginning to rain. Victor runs back to the car from the library. He thinks they should check the middle school in the next town. Victor drinks as John drives. John says he used to be a cop, and Victor says he used to be a millionaire. Everybody used to be something. John tells him that when this is dealt with, June and Charlie are coming to his cabin. Victor asks, what happens after that? but John says he’s still sorting that part out. Victor says, aren’t we all?

It’s pouring now, and Morgan tells Alicia that they need to find a place to hole up in. She says she’ll be fine on her own. He says, it’s getting bad, and watches as she walks away.

Luci listens to Roy Orbison on the phonograph. She hears the door open, and asks if it’s Victor. There’s no answer, so she takes her gun and quietly goes toward the front of the house. She sees Charlie, and chases after her. She asks what Charlie wants, and grabs Charlie’s coat. Charlie shrugs out of it, and runs. Luci asks if she hasn’t done enough. Back inside, Luci sees a copy of The Little Prince on the table in the hallway. She runs outside, and calls for Charlie. Luci decides to run after her.

June radios John, saying there’s a storm coming their way. John says, it’s there. He asks, where are they? All he gets is static.

In Al’s tank, June says she lost John. Al loses control of the tank, but it doesn’t crash. June says they need to get back, but Al says, not in this. One of the compromises she made when modifying the vehicle, is that she can’t drive in 100 mph winds. A zombie hits the tank, and the hits keep on coming.

Next time, Alicia finds Charlie.

😱 Fear’s Upcoming Season…

In the trailer, it looks like Morgan got drunk at a frat party and someone wrote on his face.


📣 It was nice to see Chris Hardwick back at work. I wanted to see my 90 Day obsession, so I didn’t watch Talking Dead. I’m hoping to catch it later, but I did see his re-entry speech. Without saying why he hadn’t been at work, Chris said how much he appreciated the fans’ support, and his job, saying they were a community. I thought it was heartfelt and sincere. Yvette Nicole Brown was one of the guests, and he thanked her for being his friend and pinch hitting. He had tears in his eyes the whole time, and I nearly cried.

🎥 👀 The Other Things I Watched…

I saw a few movies this weekend – my capsule viewpoints. The Witches of Eastwick – ever see a movie you thought wasn’t that great, and then see it again years later and change your mind? Me too, but this wasn’t one of them. Cabin in the Woods – my umpteenth viewing. I read the book first, and thought, no way could they make a movie that captured the end of this thing. I was wrong. They did, and it never gets old. Dude got to meet his merman too. The Gods of Egypt – I love Jaime Lannister just as much as any red-blooded woman on earth, and the only way I can tolerate Gerard Butler is when he’s wielding a sword, but they might have spent a little more on the background. I found it incredibly distracting to watch them fight, while none of the people in the far background moved, and it looked suspiciously like the backdrop in a high school play. So, I switched to Justice League – a special effects extravaganza, Jason Momoa as Aquaman, the Flash having phobias about almost everything and understandably fearing for his life whenever they did something stupid, and the usual amusing one-liners – what’s not to like? But I could have done with a little less Clark Kent angst. After that, Identity – a little gem of a thriller from 2003 with a twist ending. I don’t know how I missed this, but it also had a great cast, including two of my favorites, Alfred Molina and Rebecca De Mornay, I liked this film too, because it took place within a small radius – in this case, a seedy roadside motel – making it seem almost like a play.

🌞 I also watched a few episodes of Born This Way on the FYI channel. This is a really sweet reality show about a group of young adults who have Down syndrome. One of the few reality shows that I wouldn’t be embarrassed to say I watched. In one of the episodes, an expert was brought in to give the group a talk about relationships and sex. Like many kids, some of their parents couldn’t handle “the talk,” so misinformation abounded. One young lady asked if it was possible to be allergic to penises. The expert wasn’t too sure how to answer that one, until it was explained further that her mother had told her they contained gluten. I gotta say, that’s a good one.

🎶 And In a Song By the Same Title…

Don’t be a drag, just be a queen.

RIP Rick Genest.

June 10, 2018 – The Final Stadium Showdown & Weekend Time


What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)


Fear the Walking Dead

[Then] Madison is out in the woods. She slips under a zombie alarm. She tells someone not to turn around, and hands where she can see them. She doesn’t know them, but saw their vehicle, and has a good idea  of what they’re capable of. They don’t know her either, and they’re not going to. She tells them to toss the keys, but they drop them, saying they’re not tossing sh*t. It’s Al, and Madison shoots the cup she’s holding. Al says that was her dinner. Madison says it wasn’t an accident. She’s lost everything, and has nothing else to lose. Al says she thinks she’s been through a lot? She has no idea.

[Now] Zombies scrabble at Al’s truck. The camera pans out, and there’s an unbelievable number. John is still breathing, but Naomi has to get the bullet out. Everything she needs is inside. Morgan asks if Al can get closer. Al asks Charlie to keep filming. One day someone will want to know what happened.

[Then] Madison is holding a gun on Al, who’s tied up in the back of her truck. She says the sooner Al gives her the keys, the sooner she can get out. Al asks if Madison knows how many times she’s been zip tied? If Madison wants something, she has to give Al something. Madison sees a box of Al’s tapes, and asks what they are. Al says that’s not how it works. Madison says there are people out there who need her; the truck will make it easier. Al says she interviews people she comes across, and Madison thinks maybe she talked to them. Al tells Madison to cut her loose, and they’ll talk about a deal. Madison wants the keys and the tapes. Al says she tried to do it the nice way. She’s freed herself, and grabs Madison. Al wakes up on the floor of the truck, and says, sh*t. Madison is driving.

[Now] In the stadium parking lot, Al says she can’t get much closer. The zombies will get jammed in the wheel well, and they won’t be able to get them out. Morgan says he’ll move fast, and Al says it’s going to be loud. John tells him not to go; he got Morgan into this. Morgan says John got him out of something; now he’s getting John out of this. Naomi says she’ll be right back, and kisses John’s forehead. Al opens the gun window, and guns down a good number of zombies. Naomi and Morgan make a run for it. They’re barely inside, when the entrance blows up.

Al radios, asking if they’re all right. Morgan says they’re good in here. Charlie calls to Al from the front seat. We see Alicia in the stadium, with a gun trained on them. Al tells Morgan they need to hurry. They’re here. They found us.

[Then] Parked under a bridge, Madison looks through the interviews, hoping to see Nick and Alicia. She gets frustrated, and pounds the dashboard. A zombie comes to the window. She rolls it down, and pikes the zombie in the head. The zombie falls to the ground, and Al is there with a gun, saying, remember me? Madison gets out, and Al tells her, everything better be there and working. Madison says it is, and Al says Madison is going to tell her a story, starting with who she’s looking for.

[Now] Alicia, Victor, and Luci shoot at Al, who shoots back. Victor tells Alicia to radio Al, and she does, saying it’s not going her way. She knows how much ammo Al has, and it won’t last forever. She thought Al just wanted a story, and Al says she thought she’d mix it up today.

Morgan and Naomi go through the zombies in half-darkness, killing them as they go. The shooting continues outside. John falls unconscious, and I freak, thinking he’s dead. On the radio, Naomi tells them to keep applying pressure; he can’t lose more blood. Al tells John it’s not going to end like this, and he says it’s okay. Charlie films everything. John tells Al that when it’s all over, to stop running from people, and Morgan should do the same – or not. Morgan knows what he means.

Naomi grabs supplies. Morgan radios that they’re coming back now. The truck rocks with a blast, and Alicia asks how Al likes it. Al says, nice try, bitch. Her truck is built like a tank in a tank. The door falls off, and Alicia is standing there with a gun. Al asks if she’s going to help with the door, or what?

[Then] Al asks if Madison always uses a gun to get what she wants, and Madison says, if that’s what it takes. Al wonders what makes it okay, and Madison assumes she hasn’t lost anyone she’s cared about yet. Al asks who was it, and what happened to her? Al guesses it was her kids, and asks if someone did something to them or did they do something to her? Madison wonders why any of it matters, and Al says, because it’s the truth, facts, reality. Just admitting that there is one reality, and they share it. That they’re connected by a single, screwed up world. That’s the truth, and it can change things. Madison asks, how? Al say she’s been doing this a long time; since before things went bad. It was always bad, but it got worse. She was in a village on the other side of the world, and there was a warlord who called himself Twisted Round, who thought he owned the place. He was shaking people down for things they didn’t have enough of to start with. No one talked because they were too scared, but she talked someone into talking about it. In the end, they found out he didn’t have an army or guns, and didn’t last much longer. The only thing he had going on was that the truth wasn’t coming out – until it did. She knows she doesn’t have the story Madison is looking for, but someone might be interested in hers one day. What happened to her kids? Madison says she made them a promise they’d be safe, and she wasn’t able to keep it.

[Now] Al asks Alicia not to hurt Charlie. Alicia asks, why not? Charlie hurt her. On the radio, Naomi asks if Al copies her. Alicia tell Al to say it’s safe to come out or Charlie dies. Charlie killed her brother, and she’ll do it. At the stadium, Luci and Victor aim. Al tells Naomi it’s safe. Al looks at John, and asks if she can get her camera. John secretly turns the radio on, so Morgan and Naomi hear what’s going on in the truck. Victor says they’re not coming out. Alicia and Al struggle in the truck.

[Then] Al tells Madison that she doesn’t have to give the details; just the truth. Madison says she promised to find a place to live. Something that wasn’t just walls; they’d had those. What she was looking for was different. She was looking for a place where her kids wouldn’t have to do what she did to Al today. Al asks if she found it, and Madison says she thought she did. Al asks, what happened?

[Now] Alicia pushes Al down, and her head hangs out the door into the crowd of zombies, who grab at her. Charlie gets the radio, and tells them to hurry. Naomi says she’ll go, but Morgan tells her that they don’t want to kill him, and hands her the radio. He tells her to let him know what to do to keep John going. In the truck, Charlie grabs Alicia, and they end up on the floor. Al gets the gun, and Alicia sees the cup o’ noodles soup. She asks where Al got them, and Al says there was a semi with a bunch of them; she traded with them for an interview. Alicia grabs the tapes, and sees one that says Amina. Al asks if she knew her.

[Then] Madison tells Al it doesn’t matter; what she was looking for might not even be possible. She says for certain things, you don’t need a camera; it just sticks. She talks about renting a house in the mountains one summer. It had big windows and one morning, a bird flew into one. It was injured, and the kids kept it in a shoebox, naming it Willomina, Amina for short. They nursed it for weeks, taking turns staying up all night. Whatever they did, it just seemed to get worse, but her son was a sensitive boy, and her daughter decided it would live. Every morning, Madison dreaded what she might find, but one day she heard chirping, and Amina was flying around the living room. She lived because her kids didn’t give up on her; they gave her a chance when no one else would. There’s not a whole lot of that left. Al says, no, there’s not. Madison says that’s why she needed a different place, where things were different. We see Alicia watching her interview on the camera. Madison can’t imagine that part of them dying, and says you do what it takes to keep it alive. Alicia tells Al, eff you. Al looks at her and says, Madison never tolf her their names. She asks if the stadium was the place Madison was looking for.

[Now] Alicia goes into the stadium, and sees Morgan. She points the gun at him. He says he’s just trying to help his friend, and she says he can, after he steps aside. He doesn’t understand, and Naomi says she does. Alicia’s mom is dead because of what she did.

I’m getting all the feels, and realizing that I’m one with Al.

Morgan says she’s been doing this a long time. She’s thinking this is who she is, and what she’s got to do. He says let her save John. Alicia says she doesn’t get to; she doesn’t get anything. Naomi says, Alicia brought her there; she helped her. Alicia says she’s not that person anymore. Morgan says she can be. She just has to decide to get out. He says he tried to get away from people; everything and everybody. He thought he had to. Someone told him that he’d end up with people again, and he didn’t want to believe it, so ran halfway across the country to prove them wrong. Now, he’s standing between a gun and someone he just met. Things can change. They did for him, and can for her too. Alicia starts crying. Morgan says they already have; he’s not dead. He asks her to step aside for her brother, but she says she won’t step aside for Naomi. Naomi says no matter what Alicia thinks she lost, what her mother wanted for her is still in her, and she sees it. Alicia puts the gun down, and Morgan holds her. He tells Naomi to go to John, and gives her the gun.

[Then] Al writes Amina on Madison’s tape. She says, deal, and cuts Madison loose. She asks where Madison is heading; where her kids might be. She doesn’t need details, but wants to figure out how far it is when she gives Madison food. Madison says they got separated outside of El Paso. Her kids escaped, and she barely got out. Naomi gives her some noodle cups, and Madison asks what she owes her. Al says, nothing. She gave Al a down-payment, and can tell the rest of the story when she finds them. Al says she moves around a lot.

Madison drives. She sees a station wagon, and stops. She puts the radio on, and hears Alicia say, mom. She finds Alicia, Victor, and Luci at the motel. She tells them that she’s been to every motel between here and El Paso; they had to be at one of them. She sees Nick and hugs him. Victor asks where she got the MSG jackpot. She says from someone up the road, and he tosses Alicia a cup o’ noodles.

Madison shows them the stadium. Victor says it’s a little big, but she says she’s not just of them; they’ve been thinking too small. Nick asks if she wants to bring people in. She says someone helped her when they didn’t have to. She thinks it’s time to do the same.

[Now] Al drives in silence with Alicia in the passenger seat. Naomi has John hooked to an IV. Victor asks why Madison didn’t tell them about her. Al doesn’t think she was proud of how they met. She quietly asks what happened to Madison. Alicia says if she wants the rest of the story, pull over.

Naomi tells John it’s going to be okay. She tells him that her name is June. Now he knows. He says it’s his favorite month.

Al films, as Alicia, Victor, and Luci contribute to the story, while sitting around a fire. She asks them to tell her about that night. What she did. What they remember. Alicia says she and her brother were in the parking lot – surrounded.

We see the zombies around their car. Victor says they’re not leaving them out there. Madison, Luci, and Victor try to get to them. Alicia says, they cleared a path, but they had to get to the stadium. Victor says it was easier said than done. Madison told them to stay inside. She said the walls would hold, but they didn’t believe her. They didn’t have the same faith that she had in the place. Luci say she doesn’t think anyone did. Not when they saw what they were up against. We see zombies on fire, zombies getting shot, and Cole shooting at them. Alicia says they decided to run. Victor says, Madison tried to stop them. Alicia says they couldn’t get back Mel took their car. We see him driving, with Charlie in the passenger seat. Charlie says he found her in parking lot. They were closing in on her, and he saved her. Al asks what happened. Victor says the people were trying to get away. They didn’t. All the people she brought in were going to die. Naomi says she tried to talk them out of it. She believed the walls would hold, but she couldn’t change their minds. She was going to stay, and when she went to get supplies, she got back too late. The caravan was overrun, and the dead came at her. She ran until she couldn’t anymore. Alicia says, she joined the Vultures. They thought she was still inside; they thought she died. Naomi says she thought they all died. When the Vultures found her, she didn’t think she had anywhere else to go. Victor says she did what she thought she had to. Alicia says, none of them could get out of the parking lot. She couldn’t get beck to the stadium; there were too many dead. Victor says, Madison had another idea.

We see Madison standing with a flare, drawing the zombies away from them. Alicia says when they realized what she was trying to do, they tried to go back, but there were too may dead between them and Madison. Victor kept Alicia from running after Madison, saving her life. They’d reinforced the walls to keep the dead out, and Madison knew they were strong enough to keep them in. They followed her inside. Luci says it was more than they could count. We see them, and it’s a lot. Victor says she led the dead inside, so they could get away. She tried to go through tunnels, but there were still too many outside the gates to escape. So she locked herself in.

We see Madison run out of bullets. Alicia radios. Madison says she was afraid to lose this place. She thought they needed it to stay who they are right now. She tells Alicia, no one is gone until they’re gone. She faces the dead, and throws the flare. It starts a fire. Nick and Alicia watch from the car in horror.

Alicia says it was never about the stadium. Victor says it was about the people. Luci says, it was about them.

They drive away. Victor says she gave up her life, so they could live. Al turns off the camera. She writes Madison on the tape. Victor passes out cup o’ noodles to each of them. A new group is formed.

A folk song plays as the noodles are passed out. I find out later, it’s called *Love, Love, Love by The Mountain Goats.

Next time, zombies in a hella wicked storm, and Alicia wants to be left alone.

*Some things you do for money; some you do for fun, but the things you do for love, come back to you one by one.

😵 Why Does Weekend Time Go Faster?